塞伦盖蒂1

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乙巳小年夜，在《新“晋”脱口秀》的舞台上，7位主角，爆笑开场，为“奋晋者”开麦！Ta们把自己的工作生活讲成段子，给产自基层的酸甜苦辣，撒一把刺激味蕾的香辛调味，在笑声中看见最美的风景，开怀大笑1小时，燃烧你的卡路里。

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飞翔的苏格兰人号是世界上最著名的蒸汽机车。它于1923年制造，迅速成为蒸汽黄金时代优雅的象征，也是英国设计和工程的永恒典范。本书讲述了飞翔的苏格兰人号如何成为有史以来第一列时速达到100英里的蒸汽火车，以及一个多世纪以来那些激动人心的事件，这些事件使它赢得了英国人民的喜爱，并吸引了世界各地大批粉丝。如今，在苏格兰人号制造一个多世纪后，经过多年的精心修复，它仍然在英国各地驰骋，并吸引着新一代的粉丝。

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　　50军前身是原国民党军第60军，为滇军部队，在辽沈战役中于长春起义。1949年全军整编后，这支部队被改编为第四野战军第50军，军长为原60军军长曾泽生。50军成立后，按照人民解放军的建军原则，部队进行了政治整训，又补入了许多解放军军官和战斗骨干，全军整体素质得到了很大提高。

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　　BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。
　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail
　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969.
　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired.
　　特别收录 Special Feature
　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation
　　剧相馆 Photo gallery of behind-the-scenes stills

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It showcases the story behind the first Black Barbie. It started with the filmmaker's 83-year old aunt, Beulah Mae Mitchell and a seemingly simple question: "why not make a Barbie that looks like me?"

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《长安劫》聚焦唐朝由盛转衰的关键时期，揭开一段惊心动魄的历史篇章。大唐盛世表象之下，暗流涌动。唐玄宗怠于政事，李林甫、杨国忠等权臣弄权，朝堂腐败，政治生态恶化；土地兼并严重，赋税繁重，社会矛盾尖锐。军事上，地方节度使权力膨胀，安禄山手握重兵，与杨国忠矛盾激化。公元 755 年，安禄山以 “忧国之危” 为名，在范阳起兵，安史之乱爆发，叛军如潮，迅速逼近长安。​唐玄宗仓皇出逃，行至马嵬坡，禁军哗变，诛杀杨国忠，逼玄宗赐死杨贵妃，马嵬坡兵变成为唐朝由盛转衰的重要转折点。《长安劫》将带你见证长安在这场浩劫中的跌宕命运，领略那段波澜壮阔又满含沧桑的历史。

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来自尼日利亚的波比，和妻子在义乌附近开了家化妆品工厂，产品主要销往西非。新冠疫情爆发后，人员流失、观念冲突、外贸受阻，让工厂的运转困难重重。为了扭转局面，波比做了种种努力……

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在这部情节曲折的纪录片中，一个机械师第一次尝试网络约会，并结识了一名女子，但该女子对爱情的痴迷却演变成致命的极端行为。

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　　Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences.
　　Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.

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《古典医籍里看中国》是中医药古籍系列短视频。该系列短片是“十四五”中医药文化弘扬工程重点支持项目，共12集，旨在以新颖的视听语言和前沿的技术手段，让深藏馆阁的中医药经典从“纸页”走向“屏幕”，实现跨越千年的智慧对接。